Thursday, January 29, 2009

Seed mail Siemenpostia

Kevät ei tunnu olevan niin kaukana, kun voi tilata ja hiplata siemeniä. Viime kesän onnistuneitten väritatarvärjäysten jälkeen oli ihan pakko saada niiden siemeniä ensi kevääksi, kun omat kasvini eivät tuottaneet siemeniä.
Ensin löysin Ranskasta paikan B & T World Seeds'in josta tilasin heti tammikuun alussa väritatarta eli Persicaria tinctoriaa (ja vähän muitakin siemeniä, hmm hmm). Muita siemeniä tulikin sitten viikon sisään postissa, mutta juuri väritattaret olivat jääneet jälkitoimitukseen. Harmillista, varsinkin kun viestissä luki että toimitus voi kestää jopa kaksi kuukautta. Aloin pelätä, että jospa niitä ei tule ollenkaan, ja kun löysin toisen paikan USAsta, JL Hudson, Seedsman, jossa siemenet olivat halvempiakin, tilasin sieltäkin. Atlantin takaa siemenet tulivat nopeasti ja eikö mitä, myös Ranskasta tuli tällä viikolla siemenkirje ja lisää Persicaria tinctorian siemeniä eli nyt niitä sitten riittää! Varmasti ylimääräisiä taimia on keväällä, jos en saa kaikkia mahtumaan itselle, ja ehkä pieni määrä ylimääräisiä siemeniä voisi olla nytkin.

Tavallista morsinkoa on myös siemeninä, mutta jännittävä on kokeilla ensi kesänä myös kiinalaisen morsingon, Isatis indigotica, kasvatusta ja värjäystä sen lehdillä. Niiden pitäisi sisältää enemmän sinistä väriainetta kuin tavallisen morsingon. Näitä siemeniä löysin myös USAsta, Sand Mountain Herb- siemenfirmasta ja palvelu oli oikein hyvä:)

Muitakin värikasvien siemeniä on odottamassa kevättä, sain mm villin krapin, Rubia peregrinan, siemeniä värjäysystävältä ja muutenkin krappimaa tulee laajenemaan ensi kesänä.

Siemenajatuksista vielä vähän muualle värjäykseen, englanniksi on erinomainen yhteenveto puretuksesta ja sen historiasta Helenin blogissa, kannattaa tutustua:) Pieni yksityiskohta:
hän kirjoittaa mm että viinikivi erityisesti kokenillin kanssa käytettynä auttaa väriä kiinnittymään kuituun. Olen juuri värjännyt paljon kokenillilla ja jo aiemminkin todennut saman, jos lanka on puretettu vain alunalla (riippumatta sitä onko se esipuretettu vai yhtä aikaa), väristä tule huomattavasti vaaleampi kuin jos mukana on viinikiveä. Näin isoa eroa värin voimakkuudessa en ole huomannut mitään muita väriaineita käytettäessä, värin sävyyn tulee kyllä muutoksia riippuen siitä onko viinikiveä mukana vai ei. Viinikivihän auttaa alunaa pysymään liukoisessa muodossa pidempään ja näin isompi osa alunasta ehtii kiinnittyä kuituun, mutta kokenillin kohdalla jotain muutakin tapahtuu, ja vaikka viinikivi ei olekaan välttämätön puretuksessa, kokenillin kanssa siitä on todellista hyötyä, siis minun mielestäni:)

In English
Spring doesn't seem so far away when I can order and think about seeds. My japanese indigo dyeings last summer were so successful and exciting that I had to order more seeds for next summer, as I didn't manage to get any seeds from my own plants.

First in the beginning of January I ordered it's seeds from B & T World Seeds from France (and some other seeds hopped into my shopping cart, too..). I got the other seeds right the next week but unfortunately the Persicaria tinctoria seeds, which I was most expecting, were left for later delivery.. they said that it could be even two months before they were available. Well, then I got worried that what if I don't get them at all, and then found another place from the US where I ordered more Persicaria tinctoria seeds (for even cheaper price) JL Hudson Seedsman. The seeds came quickly and guess what, of course this week I got a letter from France with Persicaria tinctoria seeds in it. So now I have a lot of japanese indigo seeds! Perhaps I'll sell some plants in the spring if I can't find place for all of them. Although I know I will need a lot of blue yarn:)

I have also woad, Isatis tinctoria, seeds waiting for spring, but it will be exciting to dye with Chinese woad, Isatis indigotica. I found those seeds also from the US, a seed company called Sand Mountain Herb, which I can recommend from their fast service. Chinese indigo is said to give more blue that ordinary woad.

I have also other dyeplant seeds waiting for spring, among other I got wild madder seeds, Rubia peregrina, from a friend:) I had already planned to make a larger madder bed anyway, more madder, Rubia tinctoria, because red is a color I need all the time and it would be fun to experiment with my own madder.

Then something else: I have to recommend Helen's writing about mordanting in her blog: it is really worth reading, and not just once:)
A small detail from her long posting: she writes that if you are using cochineal, mordanting with cream of tartar (and alum) fixes more colour onto the fibers. I have just dyed with cochineal and I have noticed it earlier, too, that it s really true: if I use yarn only mordanted with alum, the color will be much paler than if I use yarn mordanted with alum and cream of tartar. I haven't noticed this much difference with any other natural dyestuff. Of course cream of tartar can change the hue with many other dyestuffs, but with cochineal it does something else, too. Or that is what I think :)

4 comments:

  1. thanks for referral to Helens mordant page - indeed much information! Interesting to read too about the amount of times dyed material sometimes is mordanted, and then oxidized, sometimes over 30x...In the 1980's I lived in China and spent much of my time in remote Guizhou province (studying the weaving and traditional costumes of the Miao, Dong, Gejia, Buyi and other groups) and included in my investigation was the incredible natural dyeing methods (very old) still being practiced - and I did take note the many steps involved in dyeing cloth to perfection - and many unusual ingredients! By the way, you are one my favorite blogs - thank you for all your sharing!

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  2. Thank you Gail:)
    Japanese and Chinese traditional dyeing methods would be really interesting, but the only place where I have found anything about them is Cardon's book and there is very little. If you know any books or web pages where there is mre information, I would really appreciate it.

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  3. There are a few published books that include information mostly on indigo dyeing from China (and Japan too), but not too much about other plants, such as Indigo by Jenny Balfour-Paul. In 1990 I wrote a chapter in Dyes From Nature, from the Brooklyn Botanic Garden Record 0-945352-58-1 titled "Enduring Dye Traditions of the Miao and Dong People" but it is a general overview. An old friend of mine, Dorothy Miller, wrote a classic book Indigo from Seed to Dye which details instructions, much of what she learned when she lived in japan in the 1950's and subsequent visits. She once showed me an incredible handmade book from Japan, featuring actual pressed plants and the resultant dyed fibers affixed to each page (all handmade paper too)- quite a colorful array of different native to Japan plants.

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  4. Thank you Gail.
    I'll have to google Millers book and the Brooklyn Botanical Garden book, too.
    It seems that there is information about indigo also in the internet more than about other natural dyes, not to speak of mordants, which are so important.
    In Finland the tradition of natural dyeing was almost lost between 1940s and 1970s and many recipes just repeat what was written earlier.

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